Sunday, December 30, 2007

Bright Lines

So the following might get a little bit technical, but its an argument I've always wanted to write down and verbalize. Most importantly it has several surprising implications.

So in debate (and probably real life, but all debate IS life) there is the concept of a line. You've hopefully heard the expression "where do you draw the line?" Now there are two kinds of lines. Gray lines and bright line. A gray line is sort of a general area. A bright line is a solid definition. For example, take the three point line in basketball. As it stands, it is a bright line. Either you crossed it or you didn't. No room for interpretation. Now imagine if instead the rule said that a player had to be standing close to the three point line. That would be a gray line. Now the problem with that is, at first players might get away with having their heels on the line. After a few months, they could take their heels off the line. Without a bright line, refs could never say you weren't off the three point line, because you could say, well, just a half inch behind me is where you gave the last player three points, and I'm barely farther.

Now to avoid the fallacy of analogy, I'll point out where gray lines are in real life, and why they are a problem. Supreme court decisions always, with few exceptions have gray lines. Defining obscenity is often one they'll use. Take the current standing definition of obscenity from Miller v. California, in 1973:
  • the average person, applying contemporary community standards, must find that the work, taken as a whole, appeals to the prurient interest;
  • the work depicts or describes, in a patently offensive way, sexual conduct or excretory functions specifically defined by applicable state law; and
  • the work, taken as a whole, lacks serious literary, artistic, political, or scientific value.
In bold are the more egregious cases of a gray line standard. The 'average person' is not someone who ever existed, and no jury will ever truly be 'average people.' nobody is. Contemporary community standards mean the the definition not only changes over time, but by place. Prurient interest (makes you go 'reow'- the sex interest) of course varies from person to person (Jesus washing the disciple's feet; foot fetish). Serious- well, a lot of people take themselves seriously. So how do we know when this work is important? How do we define when something is serious (essentially, has importance).

It may not be obvious, because the definition seems harmless, but the problem with any gray line is that it can be stretched. To be honest, It would be very easy (and probably not unlikely in the next decade) to take a snapshot from a porno, and paint it very large on a wall in a public place with lots of children, but not only that, but it would be very easy to find someone who would be quite serious. Now ask yourself, is that right? how about child bestiality (sorry, but I had to go so far that no one will condone it) How about a picture taken in secret of you in the shower? Dogs being shot by Micheal Vick? (If thats not far enough for you, figure out what would be, and insert it here) (get the picture)

So I think my point is, any gray line will never have a bright line boundary, therefore it will always be stretched. And if it can be stretched just a little, theres no reason it can't be stretched a lot, or all the way. (And it could go the other way. I mean if the 'average' person was a radical Muslim, and believed in burkas etc... where would it stop? It could go farther)

Now the reason for gray lines is simple. The point of the courts is to decide on case by case basis, but the purpose of the Supreme Court is to lay down the rules. And they have to allow for people's sensibilities to shift in the future. Yeah. Modern art can be somewhat obscene. But its still art. Wouldn't have passed in the fifties, but it would now. Unfortunately, the way this country is set up, it only takes a few people with radically different sensibilities to impose that on the rest of the community (state, country, world, whatever). So one person who sees it as a political act to burn a flag means that ANYONE who wants to burn a flag, even if its not political, can. So instead of allowing the nation leeway to move within its sensibilities, the supreme court basically makes it an open field (or in other cases, shuts it down completely).

So now that we've established that any gray line to solve a problem is completely useless, lets talk more about bright lines. Any bright line (or two bright lines marking the boundary of whats acceptable) have the problem that they won't move with societies changed perceptions of issues. To set any bright line standard will always be a mistake. Because it leaves no room for movement. And without movement the standard will fall, hard and fast. Theres absolutely no reason homosexual couples shouldn't be able to inherit from one another when one dies. But how can you possible say that without allowing more rights? The only 'bright line' you can draw is to not draw one at all. As soon as you allow even the smallest amount of nudity in art, how can you legitimately stop the rest? The only thing you can safely do is allow anything, only then can society's pointless aversion to sexual depictions be removed (like in Brave New World)

So the conclusion I hope I've brought you too is that no bright lines can be drawn. The only solution is to be absolute in your definitions. So, I know the above argument was kind of weak, but if you grasp the concept, think about and come to your own conclusion. Mine is that society is always changing and that any bright line you draw will become a problem. So when you say you believe in freedom, mean it. If you truly believe in freedom you think homosexual marriage is absolutely fine. You believe that if I want to carry a loaded gun around with me on the streets (not necessarily private property,) concealed or not, I have that right. I just don't have the right to use it. The only time you believe freedoms might be restricted is when they interfere with other's (smoking, anti terrorism, but both only to a degree). If you call yourself a liberal, consider what the work truly means: Freedom. and think about what you would do if you were in Washington, and then consider if it maximizes freedom, in all its forms.

Tuesday, December 25, 2007

Movies

In preface, the following is rambling and not quite a fully formed idea. But, just like a movie, you have to pick the meaning out of it. You'll probably think I'm (more) weird after reading this.

So... A330 from Amsterdam to Minneapolis today (yes, Christmas). Take off 1pm (GMT-1) land 330 (aka 1530) (GMT+6) (Might have switched the signs, but thats about 7 hours, exactly). Watched some movies. Three I think. First some shitty Hollywood movie... same old plot. Then a '94 old west/poker/etc. movie. Finally I watched one under the 'independent' category, and frankly. It was... Scary. Scary. Not horror scary. Psychologically scary. Anyways... I'll get back to that. I'm going to talk about movie plots. Disclaimer: My opinions of movies are greatly (negativly) influenced by the presence of annoying little brats (aka 10 year old sister, 40 something more year old mother (who cries...))

1. Main character wants something, goes to great lengths to get it, gets it, then decides at the very last second they don't want it, and go get another thing.
Examples:
i) The businessman: Has kids, and a nice wife, house, maid, etc. Never goes to his son's football games (girl's dance, hockey, whatever. He always misses something) He misses everything because he needs to land that contract/account/etc. Then at the last moment he is poised to get the contract, stands up in front of everyone, says "I need to go do whatever" instead of talking to the board, shows up just in time for the event, then later gets the account because it was just so cute. That was a bad explanation, but since about 99% of movies rated PG13 or less have this plot, you probably know what I mean
ii) Action movies (what? you need an explanation)
iii) Sports/Underdog movies. (ditto to the above parens)
iv) Heist movie (For some reason, I love these, because for some reason I can't predict the twists the same way I can the other movies): Usually involves several shady/underworld/law enforcement characters who have senses of honor (not just normal evil villains, but people) and involves all kinds of backstabbing. This is the element that actually made pirates good, along with the action, and pirates.

and thats Hollywood summed up. Usually a happy ending. Except for horror movies... but to be honest I haven't actually seen one. So i don't know if characters live or die at the end.

So, onto movies I care about.

The only movies I find to be good are the ones without a happy ending. If the main character dies at the end, it can't actually be all that bad. Or if whatever they've been trying to hold together falls apart. Also good. Why? Because Horror movies are designed to make you fear for your life. Other movies with unhappy endings are designed to make you fear for the future, and generally depress you. For some reason, this strikes a chord with me. (Probably cause its realistic) I kind of wish I could elaborate more... basically this kid finds this paradise island, but then destroys it. It kind of struck a chord. Actually, its the movies where people are killed with no remorse that are good. Because again, it seems so much more realistic.